VIRTUAL MUSEUM
ofOKSANA SHACHKO
Welcome to the Virtual Museum of artist and activist Oksana Shachko.
Bringing together works, video materials, texts, and photographic documentation, this digital archive offers a glimpse into her life and her work. It explores feminism and the political transformations of the 2010s and their continuing resonance today.

Oksana Shachko (31 January 1987, Khmelnytskyi, Ukraine – 23 July 2018, Paris, France) was a Ukrainian artist, feminist activist, and revolutionary. From the age of 8, she studied at the Nikosh School, where she specialized in Orthodox icon painting — a discipline traditionally reserved for adults.
As a child, Oksana participated in numerous group exhibitions organized by the school. In 1997 (age 10), she received her first commission to create church frescoes in Khmelnytskyi and, at that time, aspired to become a nun. However, after graduating from art school, she chose a different path and enrolled at Khmelnytskyi Free University.
Oksana Shachko (31 January 1987, Khmelnytskyi, Ukraine – 23 July 2018, Paris, France) was a Ukrainian artist, feminist activist, and revolutionary. From the age of 8, she studied at the Nikosh School, where she specialized in Orthodox icon painting — a discipline traditionally reserved for adults.
As a child, Oksana participated in numerous group exhibitions organized by the school. In 1997 (age 10), she received her first commission to create church frescoes in Khmelnytskyi and, at that time, aspired to become a nun. However, after graduating from art school, she chose a different path and enrolled at Khmelnytskyi Free University.
“I want to rouse the people to revolt!”
Oksana Shachko (1987 – 2018), artist, activist, revolutionary
Activism

Oksana became politically active during her studies of philosophy in Khmelnytskyi. There, she read socialist, Marxist, and feminist thinkers whose work radically transformed her worldview, shifting it from religious orthodoxy toward anarchism. At the Centre of Youth Perspectives in Khmelnytskyi, Ukraine, Oksana encountered Anna Hutsol and Sasha Shevchenko. In 2008, the three of them co-founded FEMEN. Oksana was responsible for the artistic aspects of the project, developing the visual and performative language of the movement: a woman with bare breasts and open arms — an image inspired by Eugène Delacroix's painting Liberty Leading the People — with a flower wreath on her head, an element referencing Ukrainian identity.

In many ways, Oksana foresaw the danger of the Russian authoritarian regime for Ukraine and Europe, and warned of war before its onset. In 2012, FEMEN activists staged a protest during Vladimir Putin's visit to Brussels, where the Russia–EU summit was taking place. The activists attempted to "drive out" the Russian president from the Belgian capital, warning the European Union of the catastrophic consequences for democracy resulting from close ties with Kremlin officials. The protest was held under the slogans: "Putin — Euro-collapse!" and "The Apocalypse of Democracy!"
The image of radical activism created by FEMEN gained popularity not only in Ukraine but worldwide. The success of FEMEN lay in the striking visual identity of their public performances, developed by Oksana, as well as in their strong political slogans. "How can such a beautiful woman — one you would normally see in a beauty salon — be a feminist? I used to see her in pornography, in newspapers, in my bed, or in the kitchen. I am not used to seeing this object protest," explained Anna Hutsol, co-founder of FEMEN, in response to the frequently asked question: "Why use the naked body?" That contradiction became FEMEN's driving force, and the first — at that time not fully conscious — continuation of Oksana's artistic practice, taking place on the street.

"Since 2008, we have been fighting against this system, and for the law, with our means, in the name of personal freedom but also in the name of humanity, to defend the rights of women and their place in society. These aren't big words: I need to be able to lead by example if I believe in what I'm doing. We thus protested against Putin, against the Belarusian dictator Lukashenko. I was arrested, covered in feathers and dyed green, beaten, tortured. I thought the end was near. I am psychologically ready to be disfigured or killed, even if I, like everyone, experience fear in everyday life. The weeks of preparation that precede our actions sometimes give rise to apprehension. But this leaves room, in resolute action, for a very particular feeling which is based neither on fear, nor on shame, nor even on courage. There is a feeling of great strength supported by the thought that our actions are right. If I am ready to give my life for my ideas? But I already gave it! I gave it, driven by a conviction: true art is revolution." — Oksana Shachko

Oksana became politically active during her studies of philosophy in Khmelnytskyi. There, she read socialist, Marxist, and feminist thinkers whose work radically transformed her worldview, shifting it from religious orthodoxy toward anarchism. At the Centre of Youth Perspectives in Khmelnytskyi, Ukraine, Oksana encountered Anna Hutsol and Sasha Shevchenko. In 2008, the three of them co-founded FEMEN. Oksana was responsible for the artistic aspects of the project, developing the visual and performative language of the movement: a woman with bare breasts and open arms — an image inspired by Eugène Delacroix's painting Liberty Leading the People — with a flower wreath on her head, an element referencing Ukrainian identity.

In many ways, Oksana foresaw the danger of the Russian authoritarian regime for Ukraine and Europe, and warned of war before its onset. In 2012, FEMEN activists staged a protest during Vladimir Putin's visit to Brussels, where the Russia–EU summit was taking place. The activists attempted to "drive out" the Russian president from the Belgian capital, warning the European Union of the catastrophic consequences for democracy resulting from close ties with Kremlin officials. The protest was held under the slogans: "Putin — Euro-collapse!" and "The Apocalypse of Democracy!"


The image of radical activism created by FEMEN gained popularity not only in Ukraine but worldwide. The success of FEMEN lay in the striking visual identity of their public performances, developed by Oksana, as well as in their strong political slogans. "How can such a beautiful woman — one you would normally see in a beauty salon — be a feminist? I used to see her in pornography, in newspapers, in my bed, or in the kitchen. I am not used to seeing this object protest," explained Anna Hutsol, co-founder of FEMEN, in response to the frequently asked question: "Why use the naked body?" That contradiction became FEMEN's driving force, and the first — at that time not fully conscious — continuation of Oksana's artistic practice, taking place on the street.

"Since 2008, we have been fighting against this system, and for the law, with our means, in the name of personal freedom but also in the name of humanity, to defend the rights of women and their place in society. These aren't big words: I need to be able to lead by example if I believe in what I'm doing. We thus protested against Putin, against the Belarusian dictator Lukashenko. I was arrested, covered in feathers and dyed green, beaten, tortured. I thought the end was near. I am psychologically ready to be disfigured or killed, even if I, like everyone, experience fear in everyday life. The weeks of preparation that precede our actions sometimes give rise to apprehension. But this leaves room, in resolute action, for a very particular feeling which is based neither on fear, nor on shame, nor even on courage. There is a feeling of great strength supported by the thought that our actions are right. If I am ready to give my life for my ideas? But I already gave it! I gave it, driven by a conviction: true art is revolution." — Oksana Shachko
December 19, 2011, protest in Minsk
Oksana, together with Inna Shevchenko and Alexandra Nemshinova, demonstrated in Belarus to protest the dictatorship of President Alexander Lukashenko on the first anniversary of his controversial re-election. In front of the Belarusian KGB headquarters in Minsk, wearing fake moustaches in a reference to Lukashenko, they stripped naked before being arrested a few hours later on a railway platform by several men. They were then taken by bus to a forest in the Gomel region, where they were tortured at night in sub-zero temperatures. Abandoned, they eventually reached a village, where they were able to contact Anna Hutsol.
GALLERY
EARLY WORKS
Oksana Shachko was trained in traditional Orthodox icon painting in Ukraine from an early age. Working with tempera, egg yolk, and gold leaf on wood, she created religious motifs (iconography) that, in the Orthodox tradition, serve as a medium between humans and God — a practice requiring deep religious discipline from the artist.
As a child, Oksana participated in art competitions in Ukraine and abroad. Her dedication to the Church was so strong that she even considered entering the monastery. Through the disciplined craft of icon painting, Shachko honed her skills in composition and painting. The works represented in the gallery date from 2004 to 2007 and belong to a family collection.
ICONOCLAST
Oksana revisited icon painting later in life while living in exile in Paris, where she created a series of works known as Iconoclast. It was a period of escape from Femen International and a new beginning for Shachko, as she sought her own path as a solo artist. At first glance, each painting resembles a conventional religious scene, but closer inspection reveals carefully altered details. Remaining faithful to Orthodox iconographic technique, she adhered to its symbolism while subverting it — in resistance to the Christian canon;
Shachko introduced unprecedented details, such as depicting a nude female body with a weapon, or two male saints kissing. In this way, Oksana reimagined her past and her own artistic practice, combining traditional iconography with rebellious imagery, connecting her origins with her values — freedom and Revolution for all. The represented works belong to private collections as well as to the M HKA Museum in Antwerp, Belgium.
PHOTOGRAPHS
This archive brings together photographs taken of Oksana Shachko during her lifetime by various photographers.
INSTAGRAM ARCHIVE


Memorials
The memorials, developed by Kostiantyn Strytutskyi, sculptor and close friend of Oksana during her time in Kyiv, are part of a larger project to memorialise Oksana Shachko's legacy. They will be located in four cities connected to different stages of her life: Khmelnytskyi, Kyiv, Paris, and La Chaux-de-Fonds, Switzerland. This map illustrates Oksana Shachko's connections to these cities.
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Films
Oksana Shachko s'exprime sur Poutine
Oksana Shachko speaks at the seminar 'Putin, icon of European national-populists' at La Règle du jeu, Paris, February 14, 2014. She analyses the authoritarian threat Putin poses to European democracy.
ICONOCLASTE
A short film by Alain Margot documenting Oksana Shachko's solo exhibition 'Iconoclaste' at Galerie Mansart, Paris. The works fuse Orthodox icon painting with radical feminist protest imagery.
I am FEMEN – An Excerpt from the Documentary
An excerpt from the feature documentary I am FEMEN. FEMEN are known worldwide as topless female activists fighting corrupt and patriarchal political systems, with Oksana Shachko among their founders.
Vernissage of Oksana Shachko's Exhibition, Brussels 2017
Video documentation of the opening of Oksana Shachko's exhibition on March 11th, 2017 in Brussels, filmed by Nico Sardana. A rare record of her artistic practice in the years before her death.
Oxana Souvenir
A short film capturing Oksana Shachko in Kyiv in 2013, by Alain Margot. An intimate glimpse of the activist and artist before her exile to Paris.
Je suis Femen : Interview Oxana Shachko
An interview with Oxana Shachko, artist and co-founder of FEMEN, produced for the DVD of Alain Margot's documentary Je suis FEMEN (2014). Edited by Carlotta Fontaine.
FEMEN WARRIOR OKSANA SHACHKO
A tribute compilation documenting Oksana Shachko's fearless protest actions as a FEMEN activist. Captures the visual power and radical spirit of her public performances.
Oksana Shachko / Femen Before Protest / Warsaw / June 2012
Video footage of Oksana Shachko and FEMEN activists in Warsaw in June 2012, moments before a protest action. A candid document of the movement's international reach.
EMERGENCE ARTISTIQUE #8 : Oksana Shachko, Paris, 14/06/2018
A live video portrait of Oksana Shachko captured on June 14, 2018 in Paris — just weeks before her death. Part of the REALITY MOVIES series by Artivism Contemporary Art.
APOLONIA, APOLONIA – Official Trailer | BFI London Film Festival 2023
Official trailer for Apolonia, Apolonia (2022), a documentary by Léa Glob following artist Apolonia Sokol across two decades. Oksana Shachko appears as a close friend and fellow artist, offering rare personal insight into her life in Paris.
Oksana & Bob - Trailer (2026)
Trailer for the 2026 documentary film Oksana & Bob, following Dr. Bob Jacobs' journey from Australia to France, Switzerland, and Ukraine in the footsteps of Oksana Shachko.
Interview de Oxana Shachko – FIFPL 2015
An interview with Oxana Shachko filmed at the closing of the FIFPL 2015 festival. She discusses her path from icon painting in Ukraine to feminist activism and her artistic practice in Paris.
Ukraine Is Not A Brothel – Official Trailer
Official trailer for Ukraine Is Not A Brothel, a documentary examining the FEMEN movement and its feminist activism rooted in Ukrainian identity.
Oxana "Lumière Noire"
A tribute to Oksana Shachko titled 'La Lumière est Noire'. A heartfelt farewell from those who knew and admired her work.
Une vie : Oksana Chatchko
A tribute to Oksana Chatchko, co-founder of FEMEN, who died on 23 July 2018 in Paris at age 31. She dedicated her life to fighting patriarchy and denouncing corruption through art and protest.
Trailer | Je suis FEMEN | Alain Margot
Official trailer for the documentary Je suis FEMEN directed by Alain Margot (2014). An inside view of the FEMEN movement featuring Oksana Shachko and the collective's Paris years.
JE SUIS FEMEN – Official Trailer (FR/DE)
Official French/German trailer for Alain Margot's documentary Je suis FEMEN, released in cinemas in May 2014. The film follows the FEMEN movement with Oksana Shachko as a central figure.
Texts
Books, articles, and interviews — where Oksana Shachko is a central figure or was mentioned in relation to FEMEN.
- Inside the Life of Oksana Shachko, Femen's Radical FeministAlexandra Marshall · Elle · 1 February 2019
- Remembering Artist and Revolutionary Feminist Oksana ShachkoNicholas Mir Chaikin · Vulture · 4 December 2018
- 'Oksana Shachko Invented a Grammar of Activism': How the Co-Founder of FEMEN Used Art as a Powerful Feminist StatementNaomi Rea · artnet News · 26 July 2018
- Notes on the Death of Oxana ShachkoJacqueline Feldman · The Paris Review · 6 August 2018
- We salute OKSANA SHACHKO (1987-2018)032c · 29 July 2018
- Oksana Shachko, a Founder of Feminist Protest Movement, Dies at 31Ivan Nechepurenko · The New York Times · 27 July 2018
- Femen co-founder Oksana Shachko found dead in Paris flatAgence France-Presse · The Guardian · 24 July 2018
- Ukrainian activist Oksana Shachko co-founded women's rights group FemenIvan Nechepurenko · The Globe and Mail · 26 July 2018
- A Meeting Between Oksana Shachko & Armelle LeturqArmelle Leturcq · CRASH Magazine · 25 July 2018
- Discover the Art Issue 82 with Gilbert & George and Oksana ShachkoCRASH Magazine, N82 · 2017
- Co-Founder Of Feminist Group Femen Found Dead In ParisAlanna Vagianos · HuffPost · 25 July 2018
- Oksana Shachko: Counter-Religious IconographyStacey Batashova · 032c Magazine · 4 October 2016
- Oksana Shachko ProfileM HKA Ensembles
The Virtual Museum of Oksana Shachko is a part of the initiative founded by Australian clinical psychologist and lawyer Dr. Bob Jacobs. After first reading about Oksana Shachko in 2018, Dr. Bob learned more about Oksana's life and courage and began conducting his own research, discovering that their worldviews were closely aligned.
Although Dr. Bob never knew Oksana personally, this did not prevent him from traveling from Queensland to France, Switzerland, and Ukraine in order to follow in her traces. You can watch the documentary film Oksana & Bob about Dr. Bob's journey here.
The project is funded through Dr. Bob's personal generosity. Everyone is welcome to contribute financially to the development of future memorials honoring Oksana Shachko's contributions to feminist and anti-authoritarian movements here.
About
TEAM
Digital Museum Curator, Author of original Texts: Kateryna Tykhonenko
Design: Kateryna Tykhonenko, Shaza Musa
Website: Taras Prohnimak
Idea and initiative: Dr. Bob Jacobs
Producer: Bohdan Prykhodko
Sculpturer: Kostiantyn Strytutskyi
All rights to the photographs belong to their authors and are being used on the Virtual Museum with a non-commercial purpose. Please contact us via info@theparentingcentre.com.au if you want your image to be captioned.
All rights to Oksana Shachko's original works are reserved. If you wish to use any images presented on this website, please contact us via email at: info@theparentingcentre.com.au
Donate
Extend the Legacy — Support Public Memorials for Oksana Shachko
The Virtual Museum is planned to grow beyond the digital space — into physical, permanent presences in the form of memorials honoring Oksana Shachko's legacy in four cities: Khmelnytskyi, Kyiv, Paris, and La Chaux-de-Fonds.
To make this vision real, a private initiative is seeking support from like-minded people around the world. Your contribution will go directly toward materials, the artist's fee, and the contracts with local administrations required to bring these memorials to life.
By donating, you become part of something lasting. You invest in social justice. You help create permanent spaces where Oksana Shachko's legacy is honoured. This gives emerging dissident artists like Shachko the reassurance that their voices matter and will be heard — in public, undeniably, for generations to come.
→ Donate now and help build Oksana Shachko's memorials. Every contribution, no matter the size, brings these sculptures one step closer to reality.
“Naked body and politics — it is an explosive combination”
Oksana Shachko (1987 – 2018), artist, activist, revolutionary
Virtual Museum of Oksana Shachko — 2026
oksanashachko.com




